Buenos Aires
Pianist and music producer.
From Bach to electronica, by way of tango, pop and urban music.
Best Tango Album, with Tanghetto, for En Vivo 20 Años
Piano & keyboards
In 2025 Tanghetto won the Latin GRAMMY for Best Tango Album with En Vivo 20 Años. Antonio has been the band’s pianist and keyboardist since 2002. Tanghetto is one of the pioneers of electrotango and has played more than three hundred shows across the Americas, Europe and Asia.
On video
Awards & recognition
Best Electronic Tango Album for El Miedo a la Libertad (2009) and Best Alternative Tango Album for VIVO Milonguero (2012). Nominated in 2010, 2011, 2013, 2016, 2017 and 2021.
Emigrante (2004, Best Instrumental Album), Hybrid Tango (2005), Hybrid Tango II (2014), Tanghetto Plays Piazzolla (2021) and Argentinxs (2023), the others in the Best Tango Album category.
Selected credits
Production, arrangements and mix for urban pop, indie and fusion artists, plus original music for film, animation and brands.
Artists
Full-length urban pop album, ten songs.
Symphonic arrangement of the closing track of the artist’s debut album (Bohemian Groove).
Horn arrangements for all three tracks on the EP: Distinto, Señales de Humo and Montonero.
Electrotango from the Latin GRAMMY-nominated album Hybrid Tango II.
Electropunk · Witch house
Original music
Electronic music
An hour-long set for the radio show Argentina Electrónica. From 2006 to 2010 he ran the psychedelic electronic project Blumen with engineer Nicolás Zapolski.
2016–2019
He lived in New York on an O-1 artist visa. He organized two US tours for Tanghetto, founded two tango groups and produced hip-hop and pop artists. He played Lincoln Center, National Sawdust and Chicago’s Symphony Center.
Tango
Toured the US with the band.
Recorded an album and played several tours across the US.
Played several tours across the US.
Tours of the US and South Korea.
Production
Mashup Tango (Piazzolla’s Oblivion meets hip-hop, premiered at Nublu) and productions for Sankofa Kofa, Guy Fletcher and Elizabeth Pérez.
End-to-end production
Production, editing and mix/master of Futurock’s original podcasts, some with foley, sound design and original music. All of them made Spotify Argentina’s top 10, and several reached number one.
DivagarMartín Garabal, on creative processes
La Canción sin FinSebastián Furman, on Charly García’s solo albums
Mostras del RockBarbi Recanati, women who broke barriers in rock
¡Qué Temaikén!Agustín Gennoni, the history of Argentine cumbia
PCRErnesto Resnik, science
Archivo de la Memoria TransTestimonies and stories of the trans community
Territorio LiberadoAmanda Alma, on Argentina’s National Women’s Gathering
¿Esto es caca o chocolate?Parenting, with La Zona Natal
Pecados CapitalesPedro Saborido and Alejandro Grimson
Segundo PlanArgentine politics
DesalineadosJulia Mengolini and Martín SchapiroRadio
Station IDs, show openers, sketches, spots and mashup series.
A mashup series for the station’s on-air identity, conceived and produced with Matías Messoulam.
Live, portraits and Latin GRAMMY
Training and career
Born in Buenos Aires in 1979, he began studying piano as a child. He trained at the Conservatorio Nacional (now UNA) with Carmen Scalcione and Inés Gómez Carrillo, among others, and later turned to tango and jazz with Dino Saluzzi, Aníbal Gluzman and Hernán Possetti.
Pianist and musical director at Molière, in San Telmo (2000–2002), before joining Tanghetto.
Pianist of the sextet (2008–2011).
Keyboardist in the orchestras of Eva, el gran musical argentino and Sweeney Todd, both conducted by Alberto Favero, in Buenos Aires.


On-stage musician in Griselda Gambaro’s Decir sí, directed by Jorge Paz (Teatro El Búho, 2004).
Starred in the TV campaign for Elementos wines (2020), playing an improvisation on Virus’s Pronta entrega at the piano.
Production, shows and lessons
antonioboyadjian@gmail.com
Piano and music production lessons and workshops.